投稿者: katapata

  • 婦人原型とメンズ原型は何が違う?

    SEWING SLOPER NOTES / LADIES & MEN’S

    婦人原型とメンズ原型は
    何が違う?

    レディースとメンズでは、同じ「身頃原型」でも考え方や線のつながり方が少し異なります。 単に胸囲やウエスト寸法を変えただけではなく、身体の立体やバランスの違いを、 ダーツ、肩、胸まわり、ウエストなどにどう反映するかがポイントです。

    どちらも「身体の土台」を作る原型

    婦人原型もメンズ原型も、身体の寸法と基本的なゆとりをもとに作る、 洋服の型紙を考えるための土台です。 首まわり、肩、アームホール、胸まわり、ウエストなどの位置関係を 基本の線として表し、そこからシャツ、ブラウス、ワンピース、ジャケットなどへ展開していきます。

    その意味では、どちらも役割は同じです。 違うのは、身体の立体を平面の原型へ置き換えるときに、 どこへどのような分量を持たせるかという部分です。

    「同じ胸囲なら同じ原型」ではありません 胸囲・ウエスト・ヒップなどの数値が近くても、胸の立体、肩の形、背中の厚み、 前後のバランスなどが違えば、原型の線も同じにはなりません。

    大きな違いは胸まわりの立体処理

    婦人原型で特に大きな役割を持つのが、バストの立体を平面の布へ置き換えるためのダーツです。 バストポイントを基準に、肩、脇、ウエスト、衿ぐりなどへダーツ分量を配分し、 平面の布を身体の丸みに沿わせます。

    メンズ原型でも身体の厚みや胸まわりの立体は考えますが、 婦人原型と同じようにバストポイントを中心とした大きなダーツ処理を行うとは限りません。 胸まわりのゆとり、前後幅、肩やアームホールの形など、 別の部分で全体のバランスを取ることが多くなります。

    STEP 01身体の厚みや
    胸まわりを確認する
    STEP 02必要な立体分量を
    原型の線へ置き換える
    STEP 03肩・脇・ウエストとの
    バランスを整える

    肩・背中・ウエストのバランスも違う

    原型の違いは胸まわりだけではありません。 肩幅、肩傾斜、背幅、胸幅、アームホール、前丈と後ろ丈の関係なども、 原型全体のバランスに影響します。

    肩とアームホール

    肩まわりは、単に肩幅だけで決まるものではありません。 肩傾斜や胸・背中の厚みが変わると、アームホールの深さやカーブの見え方も変わります。 そのため、婦人原型の数値だけを大きくしてメンズ原型にする、 あるいはメンズ原型を小さくして婦人原型にする、という考え方では十分ではありません。

    ウエスト

    婦人原型では、バストからウエストへの差をダーツや脇線で処理することが多く、 ウエストの絞りが原型の形に大きく現れます。 メンズ原型では、体型や使用する原型方式によっては、 ウエストの絞りを比較的ゆるやかに扱う場合があります。

    原型方式によって設計方法は異なります 「婦人原型」「メンズ原型」といっても、製図方式によって計算式やゆとり、 ダーツの取り方は異なります。ここでは、一般的な違いを大きく捉えて説明しています。

    婦人原型とメンズ原型を比べる

    大まかに整理すると、次のような違いがあります。 実際には性別だけでなく、一人ひとりの体型による差も大きいため、 「必ずこうなる」という表ではなく、原型を考えるときの目安として見てください。

    項目
    婦人原型
    メンズ原型
    胸まわり
    バストの立体をダーツとして処理する影響が大きい。
    胸・背中の厚みや前後幅、ゆとりとのバランスを中心に考えることが多い。
    ダーツ
    肩・脇・ウエストなどへダーツを移動・分散してデザイン展開できる。
    必要に応じてダーツを使うが、婦人原型と同じバストダーツ処理にはならないことが多い。
    肩・背中
    バストとの前後バランスを含めて肩線やアームホールを考える。
    肩幅・背幅・胸幅・背中の厚みなどの影響が原型の印象に出やすい。
    ウエスト
    バスト・ウエスト差をダーツや脇線で処理する割合が比較的大きい。
    体型や製図方式によって、比較的ゆるやかな絞りにする場合がある。
    使い方
    ブラウス、ワンピース、ジャケットなどの展開の土台。
    シャツ、ジャケットなどの展開の土台。

    「男女だから」ではなく
    体型に合わせて考える

    婦人原型とメンズ原型には一般的な設計上の違いがありますが、 実際の身体は「女性なら必ずこの形」「男性なら必ずこの形」と きれいに二つへ分かれるわけではありません。

    肩が広い人、胸板が厚い人、バストの立体が大きい人、ウエスト差が少ない人、 前後の厚みが大きい人など、身体の特徴は一人ひとり違います。 原型を作ったあとに線やカーブを確認し、必要に応じて補正することが大切です。

    原型は「分類」よりも「自分に合うか」が大切 レディース用・メンズ用という区分は、原型を作るための出発点です。 最終的には、自分の身体や作りたい服に合うように確認・調整して使います。

    KATAPATAでは別の原型として作成

    KATAPATAでは、レディース原型とメンズ原型を別々のツールとして用意しています。 単に同じ原型を拡大・縮小するのではなく、それぞれの原型に合わせた製図と調整画面を使います。

    レディース原型では、身頃・袖・スカート・パンツを作成し、 ダーツ移動や各部の微調整を行えます。 メンズ原型でも、身頃・袖・パンツを作成し、画面上で形を確認しながら調整できます。

    どちらも、作成した原型をそのまま完成服の型紙として使うのではなく、 自分の身体に合う基本原型として確認し、必要に応じて補正したうえで、 デザイン展開の土台として利用してください。

    START KATAPATA

    自分の寸法で、原型の違いを確かめてみる。

    レディース原型・メンズ原型ともに、寸法入力から調整、保存、PDF出力まで無料で利用できます。

  • 原型作成ツールはすべて無料になりました

    KATAPATA – 洋裁用原型作成ツール はすべて無料でご利用いただけます。

    これまで一部有料としていたものも含めて、すべて無料となりました。

    好きなだけツールを試していただき、何度でも無料でダウンロードいただけます。

    もっと手軽に原型を作れるようになれば、もっとからだにフィットするものが作れるはずです。

    KATAPATAツールが、あなたのお洋服づくりの手助けになるよう、心から祈っています。

  • メンズ原型作成ツール、公開しました

    KATAPATA ツールにメンズ原型作成ツールが加わりました!!

    文化式原型をもとにした基本原型となっています。そこに、レディースと同じようにダーツ移動を簡単に行える仕組みを入れています。肩先や衿ぐりなども移動調節が可能です。

    また、メンズ原型作成ツールでも、基本の前後身頃の原型に、ドレスシャツを想定した袖原型、ノータックパンツを想定したパンツ原型を作成できます。

    袖とパンツの原型については、あくまでシンプルなデザインのシャツとパンツを想定した原型となっていますので、使用される際は、実際に作成するシャツやパンツのデザインに合わせて、カーブ等を調整してください。

    調整はマウスドラッグで、感覚的に調整可能ですので、いろいろお試しください。

    メンズ原型作成ツールはこちらからご利用いただけます。

  • What Is Sleeve Cap Height? How It Relates to the Armhole

    SEWING SLOPER NOTES / SLEEVE CAP

    What Is Sleeve Cap Height?
    How It Relates to the Armhole

    Sleeve cap height affects the shape of a sleeve, how easily the arm can move, and how the sleeve fits into the armhole. A higher or lower sleeve cap is not automatically better—the armhole, sleeve width, curve shape, fabric, and intended design all need to work together.

    What is the sleeve cap?

    The sleeve cap is the curved upper part of the sleeve that is sewn into the bodice armhole. It runs from the front underarm, over the top of the sleeve, and down to the back underarm.

    The highest point is the sleeve-cap peak. Sleeve cap height generally means the vertical distance from the underarm line to this highest point.

    Sleeve shape is not determined by cap height alone. Sleeve width, the front and back cap curves, and the shape of the bodice armhole all work together to create the final sleeve.

    Higher vs. lower sleeve caps

    01 / HIGHER Higher sleeve cap A higher cap often gives a cleaner, more fitted appearance when the arm hangs naturally. However, raising the arm may pull the bodice upward more easily.
    02 / LOWER Lower sleeve cap A lower cap tends to work with a wider sleeve and can allow easier arm movement. It may also create a more relaxed shape with more room under the arm.

    The actual fit and appearance also depend on sleeve width, armhole depth, the cap curve, fabric thickness, stretch, and the overall garment design.

    How the sleeve cap relates to the armhole

    The sleeve-cap seam is sewn to the bodice armhole, so the sleeve should be considered together with the front and back armhole shapes and lengths.

    It is important to compare the front armhole with the front sleeve-cap curve, and the back armhole with the back sleeve-cap curve. Even if the total lengths match, an incorrect front-to-back distribution can cause the sleeve to twist or shift away from its intended position.

    A slightly longer sleeve cap may create sleeve-head ease. In a set-in sleeve, the sleeve-cap seam may be slightly longer than the armhole. This extra length can be eased into the upper part of the sleeve without forming visible gathers. The appropriate amount depends on the curve, fabric, and garment design.

    After drafting the sleeve, measure along the actual sewing lines without seam allowance, and compare the front and back sections separately.

    What you can check in KATAPATA

    After creating the bodice and sleeve slopers, KATAPATA lets you check the front and back armhole lengths together with the corresponding front and back sleeve-cap lengths.

    The differences are shown separately, making it easier to review the front-to-back balance and the amount of sleeve-head ease.

    When you adjust the sleeve-cap peak or curve, review not only the numbers but also the shape of the curve and the balance between the front and back.

    What to check in a test garment

    Even when the measurements match on screen, the finished result can change depending on the fabric and sewing method. After developing your sloper into a garment pattern, a test garment is useful for checking the direction and movement of the sleeve.

    • Does the sleeve-cap peak sit at the shoulder point?
    • Does the sleeve hang without twisting toward the front or back?
    • Does raising the arm pull the bodice upward too strongly?
    • Is sleeve-head ease distributed smoothly without puckering?
    • Are the front and back sleeve sections matched to the correct armholes?

    Rather than trying to perfect the sleeve in one step, baste it in place and check the direction, wrinkles, and range of movement gradually.

    START KATAPATA

    Check the balance between the bodice and sleeve on screen.

    Measurement entry, sleeve adjustment, data saving, and PDF export are all free.

  • Slopers and Ease — Why a Sloper Is Not a Finished Garment Pattern

    SEWING SLOPER NOTES / EASE

    Slopers and Ease
    Why a Sloper Is Not a Finished Garment Pattern

    A sloper is the foundation for developing sewing patterns. It is drafted from body measurements, but that does not mean it should simply be copied onto fabric and sewn as a finished garment. Clothing needs ease for movement as well as ease for the silhouette and design you want to create.

    What is ease?

    Ease is the extra room added beyond the body measurements. If a garment were made to exactly match the body with no additional room, breathing and moving the arms could feel restrictive.

    Ease generally serves two different purposes.

    01 / MOVEMENT Wearing ease The minimum room needed for breathing, lifting the arms, sitting, and other everyday movements.
    02 / DESIGN Design ease Additional room used to create the intended silhouette, such as a relaxed blouse or a roomy coat.

    The amount of ease needed depends on the garment, the design, and the characteristics of the fabric.

    A sloper is not the same as body measurements

    A sloper is drafted from body measurements, but it is not simply a line drawing of the body’s exact measurements. Depending on the drafting system, a basic amount of ease may already be included.

    For example, the bust circumference of a finished sloper may not be exactly the same as the bust measurement you entered.

    About ease in KATAPATA slopers KATAPATA uses calculations based on the Bunka-style sloper system, including the basic ease used in that drafting method.

    After creating your sloper, it is useful to measure the bust line, waistline, and other key areas on the front and back pieces and compare them with your body measurements.

    Knowing how much ease is already included in the sloper makes it easier to decide how much additional ease you may want when developing a finished garment pattern.

    Why a sloper is not a finished garment pattern

    A sloper does not yet represent a specific garment design. When developing a pattern, you may change the length or silhouette, add ease, move darts, or alter the neckline and armhole to suit the garment you want to make.

    Fabric also affects the amount of ease that works well. A non-stretch woven fabric and a stretch fabric may need different amounts of room, and a lightweight blouse does not require the same ease as a coat worn over other clothing.

    A sloper is a starting point for designing a garment. First understand the ease already included in the sloper, then add or adjust ease according to the design, fabric, and way the garment will be worn.

    Check the fit with a test garment

    Even when the calculated ease looks sufficient, the actual comfort and appearance can change with body shape, posture, and fabric.

    Before cutting your final fabric, making a test garment in muslin or another suitable fabric lets you check how the garment feels when you raise your arms, sit, bend forward, and move naturally.

    This is also a good time to review the shoulder line, side seam, darts, neckline, and armholes—not only the total amount of ease.

    Summary

    A sloper is not simply a copy of body measurements. It is a foundation for patternmaking that includes the basic shaping and, depending on the drafting method, a certain amount of ease.

    Measure your completed sloper and compare it with your body measurements. Then consider the additional ease needed for the design, fabric, and way the garment will be worn.

    A KATAPATA sloper is best used not as a finished pattern, but as a reliable starting point for developing the garment you want to make.

    START KATAPATA

    Create a sloper from your own measurements.

    Measurement entry, adjustment, data saving, and PDF export are all free.

  • What Is Dart Manipulation? How It Works in KATAPATA

    SEWING SLOPER NOTES / DART MANIPULATION

    What Is Dart Manipulation?
    How It Works in KATAPATA

    Darts shape flat fabric around the curves of the body. Without changing the total dart intake, a dart can be moved to another position. This is called dart manipulation.

    What is dart manipulation?

    A dart removes a controlled amount of fabric so that a flat pattern can form around the curves of the body. The dart can be moved to another position without changing the total amount removed.

    By changing the dart position, the same basic shaping can be developed into shoulder darts, side darts, neckline darts, waist darts, and other arrangements that suit the design you want to make.

    How dart manipulation works

    When you choose a new dart position and set its percentage, the original dart closes and a new dart opens at the selected location.

    STEP 01Choose the positionSelect where the new dart will open, such as the shoulder, side, or waist.
    STEP 02Set the percentageDecide how much of the dart intake should move to each position.
    STEP 03Review the new shapeThe original dart closes and the new dart or darts open.

    The position and distribution of the darts may change, but the total dart intake used to create the three-dimensional shape remains the same.

    Dividing a dart between several positions

    Dart manipulation does not have to move the entire dart to one place. You can divide the intake between several positions—for example, between the shoulder, side, and waist—while keeping the original shaping of the sloper.

    Changing the position or distribution of the darts changes the appearance of the pattern, which makes dart manipulation a useful basic technique when developing different designs from one sloper.

    Try dart manipulation in KATAPATA

    In KATAPATA, you can choose the destination and enter the percentage for each dart position, then review the manipulated sloper directly on screen.

    You can move the dart to a single position or divide it between multiple positions. Try changing the values and watch how the dart shape changes.

    TRY DART MANIPULATION

    Explore dart manipulation in KATAPATA.

    Dart manipulation and the other sloper-creation features are free to use.

  • How to Create a Sloper with KATAPATA — From Measurements to PDF Export

    SEWING SLOPER NOTES / HOW TO USE

    How to Create a Sloper with KATAPATA
    From Measurements to PDF Export

    KATAPATA guides you step by step from entering measurements to reviewing, adjusting, saving, and exporting your sloper as a PDF. This article explains the basic workflow for first-time users.

    Before you begin

    KATAPATA is a browser-based tool for creating sewing slopers. It can be used on smartphones and tablets, but a larger PC screen is recommended when you want to review the overall shape or make fine adjustments.

    • prepare measurements such as bust, waist, and back length
    • use a browser that can save PDF files
    • decide where you want to store your working data

    If you are not sure where to measure, check the Measurement Guide before you start.

    1. Enter your measurements

    Open the sloper tool and enter your body measurements. Use your actual body measurements rather than the measurements of a finished garment.

    Keep the unit consistent. Do not mix centimeters and inches. If a value is far outside the expected range, review the on-screen message and check the number again.

    2. Create the sloper

    After entering the required measurements, follow the on-screen steps to create the sloper. The exact parts and workflow differ slightly between the Women’s and Men’s Sloper Tools.

    STEP 01 Enter measurements Input the measurements you have taken.
    STEP 02 Generate the sloper KATAPATA calculates the basic sloper from your values.
    STEP 03 Review and adjust Check the overall shape and refine the areas you need.

    The first generated shape is based on your measurements and the basic drafting calculation. Posture, shoulder slope, and other features that measurements cannot fully describe can be reviewed in the adjustment step.

    3. Adjust the sloper on screen

    Use the adjustment points on the sloper to refine areas such as the shoulder, neckline, armhole, bust point, and sleeve cap. You do not need to move every point—adjust only the areas that need attention.

    Switch between overall and individual views

    First review the bodice and sleeve together, then switch to an individual view when you want to see a specific part at a larger size.

    Small adjustments are easier to judge. Move a point a little at a time and review the whole shape before making another change. Undo and Redo are also available when needed.

    4. Save your data

    You can save your working sloper as KATAPATA data and reopen it later to continue editing.

    • use a file name that makes the purpose or date easy to recognize
    • keep the original data and save adjusted versions separately when useful
    • back up important data in another location

    When continuing on the same device and browser, you can also use the browser-resume option. The working data and the finished PDF serve different purposes, so it is useful to keep both if you may want to adjust the sloper later.

    5. Export and print the PDF

    When you are satisfied with the sloper, move to PDF export. Depending on your purpose, you can choose from full-size PDF, tiled A4 PDF, tiled US Letter PDF, and a reduced-size sample PDF.

    Full-size PDF

    Use this when printing on a large-format printer or through a printing service where the full sloper can be handled as one large page.

    Tiled A4 / US Letter PDF

    Use these formats when printing on a home printer. The sloper is divided across multiple pages that you can print and assemble.

    Print at 100% scale. Options such as “Fit to page,” “Scale to fit,” or automatic shrinking may change the size of the sloper. Choose “Actual size,” “100%,” or an equivalent setting, and check the printed reference scale first.
    START KATAPATA

    Create your sloper with KATAPATA.

    Measurement entry, adjustment, data saving, and PDF export are all free.

  • Measurements for a Sewing Sloper How to Measure Bust, Waist, Back Length, and More

    SEWING SLOPER NOTES / MEASUREMENT

    Measurements for a Sewing Sloper
    How to Measure Bust, Waist, Back Length, and More

    Accurate measurements are the starting point for creating a sloper that reflects your body. Measuring to the correct points, in the same posture and under the same conditions, is more important than trying to record extremely precise numbers.

    What to prepare before measuring

    Use a soft sewing tape measure that can follow the shape of the body. It is also helpful to tie a narrow elastic or string around the natural waist so you can use the same waist position for every measurement.

    • a soft sewing tape measure
    • a narrow elastic or string to mark the waistline
    • a note or device for recording measurements immediately
    • light, close-fitting clothing that makes body lines easy to see
    If possible, ask someone else to measure you.When measuring yourself, turning to read the tape or lifting your arms can change your posture and affect the result. If you are measuring alone, use a mirror to check that the tape remains level.

    Main measurements used for a sloper

    Depending on the sloper you are creating, KATAPATA uses measurements such as bust, waist, hip, back length, and sleeve length. Check the measuring position first and keep the unit consistent when entering your values.

    Bust

    The circumference around the fullest part of the bust.

    Waist

    The circumference around the natural waistline.

    Hip

    The circumference around the fullest part of the hips and seat.

    Back Length

    The vertical measurement from the back-neck reference point to the waistline along the center back.

    Sleeve Length

    The measurement from the shoulder point along the arm to the desired sleeve-end position.

    How to take each measurement

    Bust

    Pass the tape around the fullest part of the bust and keep it level across the back. Do not pull the tape too tightly; measure while breathing naturally.

    Waist

    A useful guide to the natural waist is the point where the torso folds when you bend gently to the side. Tie an elastic at that level and measure around the body without holding your breath.

    Hip

    Measure around the fullest part of the hips and seat. Check from the side that the tape is level and is not rising or dropping at the front or back.

    Back Length

    Measure from the reference point at the base of the back neck, down the center back to the elastic marking the waistline. Keep the tape close to the body without changing your posture.

    Sleeve Length

    Measure from the shoulder point along the arm to the sleeve-end position you want. Keep the arm in a natural position rather than locking it completely straight.

    If you would like to check the measuring positions visually, see the KATAPATA Measurement Guide.

    Common measuring mistakes

    • pulling the tape too tightly and recording a smaller measurement
    • measuring over thick clothing
    • letting the bust or hip tape tilt instead of staying level
    • changing the waistline position during the measuring process
    • twisting the body to read the tape
    • mixing centimeters and inches when entering measurements
    If a second measurement is slightly differentDo not rely only on the first number. Measure again in the same posture. If the difference is large, check the measuring position and whether the tape is level.

    Tips for entering measurements in KATAPATA

    Enter your body measurements, not the measurements of a finished garment. The sloper calculation and adjustment steps determine the basic shape and the ease included in the sloper.

    Posture, shoulder slope, bust-point position, and other three-dimensional characteristics cannot always be represented by measurements alone. After creating the sloper, use the on-screen adjustment tools to review the shape and fine-tune it as needed.

    Rather than searching for a “perfect” number before you begin, take your measurements carefully, create the sloper, and then review the areas that need adjustment.

    START KATAPATA

    Create a basic sloper from your measurements.

    Measurement entry, adjustment, data saving, and PDF export are all free.

  • メンズ原型作成ツール、公開予定は 8月15日に決定!!

    KATAPATA のツールとして、最近取り組んでいるメンズ原型を簡単に作成できるツール開発。

    公開からしばらくはすべて無料でご利用いただく予定にしていますが、その公開日を、8月15日に決定しました。
    ぜひ、ご利用いただき、ご感想などをお寄せいただければと思います。

  • 袖山の高さとは?袖ぐりとの関係をわかりやすく解説

    SEWING SLOPER NOTES / SLEEVE CAP

    袖山の高さとは?
    袖ぐりとの関係をわかりやすく解説

    袖山の高さは、袖の形や腕の動かしやすさ、身頃との縫い合わせに関係する大切な要素です。 ただし、高ければよい・低ければよいというものではありません。 身頃の袖ぐりや袖幅、カーブ、生地などを合わせて考えることが大切です。

    袖山とは?

    袖山とは、袖の上部にある山のようなカーブの部分です。 身頃の袖ぐりに縫い合わせる部分で、袖の前側から頂点を通り、後ろ側まで続いています。

    袖山のいちばん高い位置を「袖山の頂点」といい、 袖山の高さは、一般的に袖の脇の位置を結んだ線から頂点までの縦方向の長さを指します。

    高さだけで袖の形は決まりません 袖幅、前後の袖山カーブ、身頃の袖ぐりの形などが組み合わさって袖全体の形が決まります。

    袖山が高い場合と低い場合

    01 / HIGHER 袖山が高い袖 腕を自然に下ろしたときに身頃へ沿いやすく、 すっきりしたシルエットになりやすい傾向があります。 一方、腕を大きく上げると身頃も引き上げられやすくなることがあります。
    02 / LOWER 袖山が低い袖 袖幅が広くなりやすく、腕を動かしやすい形にしやすい傾向があります。 その分、脇の下にゆとりが増え、ゆったりした印象になりやすくなります。

    実際の着心地やシルエットは、袖山の高さだけでは決まりません。 袖幅、袖ぐりの深さ、カーブ、生地の厚みや伸縮性なども含めて全体のバランスを見ます。

    袖ぐりと袖山カーブの関係

    袖山カーブは、身頃の袖ぐりに縫い合わせるための線です。 そのため、前身頃と後身頃の袖ぐりの形や長さに合わせて考えます。

    確認するときは、前袖ぐりと袖山の前側、後ろ袖ぐりと袖山の後ろ側を、 それぞれ分けて見ることが大切です。 合計の長さだけが合っていても、前後の配分がずれていると、 袖が前後へねじれたり、袖山の位置がずれたりする原因になります。

    袖山側が少し長い場合は「いせ込み分」になります セットインスリーブでは、袖山カーブを身頃の袖ぐりより少し長くし、 余分な長さをしわやギャザーを目立たせずになじませて縫うことがあります。 必要な量は、カーブや生地、デザインによって変わります。

    袖を作ったあとは、縫い代を含めず、実際に縫い合わせる線に沿って 前後それぞれの袖ぐりと袖山カーブを測り、その差を確認します。

    KATAPATAで確認できること

    KATAPATAでは、身頃と袖の原型を作成したあと、 前後の袖ぐりと袖山カーブの長さを画面上で確認できます。

    前身頃の袖ぐりと袖山の前側、後ろ身頃の袖ぐりと袖山の後ろ側を分けて表示し、 それぞれの差も確認できるため、前後の配分やいせ込み分を把握しやすくなっています。

    袖山の頂点やカーブを調整したときは、 数値だけでなく、カーブの形と前後のバランスも合わせて確認してください。

    仮縫いで確認するポイント

    画面上で寸法が合っていても、実際の仕上がりは生地や縫い方によって変わります。 原型を型紙へ展開したあとは、仮縫いで袖の向きや動かしやすさを確認するのがおすすめです。

    • 袖山の頂点が肩先の位置と合っているか
    • 袖が前後どちらかへねじれていないか
    • 腕を上げたときに身頃が強く引っ張られないか
    • 袖山にしわや膨らみが偏っていないか
    • 前袖と後ろ袖を正しい袖ぐりへ合わせているか

    一度で決めようとせず、しつけ糸で仮止めしながら、 袖の向き、しわの出方、動かしやすさを少しずつ確認すると調整しやすくなります。

    START KATAPATA

    身頃と袖のバランスを、画面で確認してみる。

    寸法入力から袖原型の調整、データ保存、PDF出力まで、原型作成機能はすべて無料です。